Adad hannah biography

Three Generations (Kodiak Art Club, 1953)

 

In this new body of work developed specifically for the Koffler Gallery, Hannah focuses on his own biography, re-animating an instant captured eighteen years before he was born. His starting point is a yellowing photograph of his grandmother painting a portrait of her daughter at an art club on an American military base in Kodiak, Alaska in 1953. Hannah works in dialogue with his mother, Barbara Txi Hannah – the subject of the original photograph and an artist herself – collaborating to expand the moment under observation through a multi-media installation.

Using photography, video-recorded performance, audio, and set design, Hannah breathes new life into the original image. The reenactment of the Kodiak photograph is the centerpiece, along with the studio setting constructed for the video-shoot. Other findings from the family archives, his mother’s autobiographical photo-collages produced for this exhibition, and recent interviews with his 93-year old grandmother provide further insight into Hannah’s personal history. Sou

Born in New York in 1971, lives and works in Vancouver. Since 2001 Adad Hannah has been working on his series Stills consisting of silent videos that exist at the intersection of performance, photography, and video. Based on the 19th-century practice of tableaux vivants, Hannah’s videos, photographs, and installations look at how we perform as spectators, and how our gaze can be a constructive one as we try to make sense of ourselves and the world around us.

He has exhibited at the Musée national des beaux-arts du Québec (2008), the Musée d'art contemporain de Montréal (2008), Zendai MoMA, Shanghai (2009), Ke Center for Contemporary Art (Shanghai 2008), the Vancouver Art Gallery (2007), the National Gallery of Canada (2011, 2006), Ikon Gallery (Birmingham 2006), the 4th Seoul International Media Art Biennale (2006), Casa Encendida (Madrid 2006) and Viper Basel (2004). In 2004 he won the Toronto Images Festival Installation/New Media Award, and the Bogdanka Poznanovic Award at Videomedeja 8. His work has been funded by the Canada Council fo

Adad Hannah

Adad Hannah explores historically trenchant themes through elaborate bodies of work that include installation, video, and photography. Inspired by the historical practice of tableaux vivants (translated as “living pictures”), Hannah’s overall practice invokes the durational form of early cinema, while also making reference to early photography by mimicking paintings at a time when it was the very goal of photography to do so. Time occupies a prominent place in Hannah’s production, forged by a lasting interest in temporality and its complex relationship with photography and video. Hannah adds to this history by bridging, or blurring, the divide between the tableau in photography and its originating form as living, i.e., live picture. 

Biography

Adad Hannah was born in New York in 1971 and now lives and works in Vancouver, Canada. He has exhibited at the Musée national des beaux-arts du Québec (2008), the Musée d'art contemporain de Montréal (2008), Zendai MoMA, Shanghai (2009), Ke Center for Contemporary Art (Shanghai 2008), the Vancouver Art Gallery (2007), the Na

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