Ernest mancoba composition

Ernest Mancoba

Drawings and Paintings from the Studio


Ernest Mancoba is arguably the most important modern artist from South Africa, and perhaps Africa, yet his work has not received widespread critical revaluation. The British artist and activist Rasheed Araeen, in an essay reproduced here, described Mancoba as one of the most important artists in any genealogy of African modernism:

[H]e is Africa's most original modern artist, but, more importantly ... he enters the space of modernism formed and perpetuated by the colonial myth of white racial supremacy and superiority ... and demolishes it from within.

Mancoba was born in 1904 in Johannesburg, and died in 2002 in Paris, France. He trained as a teacher in Pietersburg, and received a Bachelor of Arts degree from the University of Fort Hare. In 1938 he left South Africa for Paris, where he studied at the École des Arts Décoratifs. The outbreak of World War II prevented him from leaving Paris and, in 1940, he was interned by the Germans in St Denis where he married Danish artist Sonja Ferlov in 1942. After their

Ernest (Methuen) Mancoba was born in South Africa on 29th August 1904 to Miner Father. He was an avant-garde artist who spent the majority of his life in Europe. Ernest (Methuen) Mancoba is considered to be South Africa’s first professional Black modern artist. He died on 25th October 2002 aged 98 years old.

Ernest (Methuen) Mancob’s interest in art began in 1925 at Grace Dieu secondary school near Pietersburg where he had enrolled a year earlier. In 1929, he tried his hand at freestanding sculpture, and produced a commissioned work called African Madonna using a model in a contrapposto stance. The African Madonna is probably the first modern sculpture produced by a Black South African, and is now on permanent display at the Johannesburg Art Gallery. Ernest (Methuen) Mancob left South Africa for Europe in 1938 when he received a scholarship to continue his studies in Paris, where he enrolled at the École Nationale Supérieure Des Arts Décoratifs.

In 1947, Mancoba living in Copenhagen met Asger Jorn, Constant Nievwenhuys and Corneille Guillaume Beverloo who were a part

Ernest Methuen Mancoba

Ernest Methuen Mancoba was born in Turffontein, Johannesburg, Transvaal (Gauteng) on 29 August 1904. From 1920 to 1924 Mancoba trained as a teacher at the Diocesan Training College, Grace Dieu near Pietersburg (now Polokwane, Limpopo) and received early guidance in wood carving there from Sister Pauline CR. On completion of his course, he remained at the College teaching Zulu until 1929.

In 1933, Mancoba enrolled as a student at the University of Fort Hare. During this time, he served as the chairperson of the Literary and Debating Societies there. In 1936, he was the caretaker of a block of flats in Cape Town. In the following year, Mancoba was completed a BA degree through UNISA and began teaching English at Khaiso Secondary School in Pietersburg. His colleagues included Louis Makenna, Nimrod Ndebele and Gerard Sekoto.

Although he never received formal art training, he was greatly inspired by two fellow artists namely Lippy Lipshitz ( 1903 - 1980) and Irma Stern ( 1894 - 1966 ). He loved sculpting and completed various commission works for different c

Copyright ©aimbomb.pages.dev 2025